Writing Techniques

POV in Writing: How to Choose the Right One

Understanding POV (point of view) is essential for everyone who wants to craft a story. POV determines how readers experience the narrative. They often do so through the protagonist’s perspective.

Choosing a POV is more than deciding whether to write “I” or “she.” It involves selecting the lens your story will be told. It shapes how the story feels, how close readers experience the characters, and how the plot unfolds.

In this guide, we will cover the three most common types of POV in fiction: First-person, third-person limited, and third-person omniscient. 

Content
  1. What Is Point of View in Writing?
  2. First-Person Point of View Explained
  3. Third-Person Limited Point of View Explained
  4. What Is Third-Person Omniscient Point of View?
  5. Third-Person Limited vs. Omniscient: Key Differences
  6. FAQ
  7. Final Thoughts on Mastering Point of View

What Is Point of View in Writing?

POV is the narrative perspective a story is told. A story can be told from the first-person, where a character is the narrator voice, usually the protagonist. The narrator shares their own experiences using pronouns like “I.”

In third-person limited, an external narrator tells the story, focusing on the thoughts and experiences of a single character, typically the protagonist. The external narrator cannot interact with the characters. 

In third-person omniscient, an external narrator has access to the thoughts, feelings, and experiences of multiple characters, offering a broader understanding of the story. The external narrator cannot interact with characters as in third-person limited.

First-Person Point of View Explained

First-person POV is when a story is told from a character’s perspective using pronouns like I, my, mine, or we. You experience the story through them, only knowing what they see, hear, feel, smell, and think.

Strengths:

  • Deep internal voice and emotional intimacy
  • Strong sense of character and personality
  • Natural for character-driven stories

Limitations:

  • Restricted to what the narrator knows or notices
  • Difficult to reveal events outside their awareness

Example of first-person in literature:

“Dear friend, I am writing to you because she said you listen and understand and didn’t try to sleep with that person at that party even though you could have.”

— Stephen Chbosky, The Perks of Being a Wallflower. 

In this novel, Charlie is telling the story from his perspective. The audience experienced his life via letters he wrote to an unknown person. We learned how he felt, what he thought about, his fears, and his dreams. Above all, we did not see what Charlie’s life was objectively, but rather how Charlie perceives himself. 

When to use first-person POV:

  • You want the reader to feel close to the protagonist
  • Your story is centered on personal growth
  • You want a strong character voice to carry the story

Third-Person Limited Point of View Explained

Third-person limited is a narrative perspective where the story is told from an external viewpoint, using pronouns such as “he,” “she,” and “they.” The narrator is not part of the story. The reader gains access to the inner thoughts, feelings, and perceptions of only one character at a time, typically the protagonist.

Strengths

  • Balances narrative distance and emotional connection
  • Gives insight into the protagonist’s inner world

Limitations

  • Limited to what the protagonist knows
  • Cannot reveal information unknown to the viewpoint character without breaking the perspective

Example of third-person limited in literature: 

“He began his new life standing up, surrounded by cold darkness and stale, dusty air. Metal ground against metal; a lurching shudder shook the floor beneath him. He fell to the ground, whimpered, then pushed himself back to his feet.”

 — James Dashner, The Maze Runner

This excerpt is written in third person, as shown by the use of the pronoun “he”, yet the reader is only given access to Thomas’s thoughts and experiences. There is no insight into the minds of other characters, only what Thomas perceives and processes in the moment.

When to use third-person limited POV:

  • When you want insight into a character’s thoughts and feelings without using “I” narration
  • When you want to maintain a close connection to the protagonists while preserving some narrative distance

What Is Third-Person Omniscient Point of View?

Third-person omniscient is when the story is told from an external perspective using pronouns like “he,” “she,” and “they.” But unlike third-person limited, this narrative allows the reader to get an insight into any character’s mind. That means the narrator can share any character’s thoughts, feelings, and experiences at any time.

Strengths:

  • Balanced insight and flexibility
  • Ability to comment on the world or events

Limitations:

  • Can feel distant compared to third-person limited and first-person POV
  • Risk of confusing readers with too many character shifts

Example of third-person omniscient in literature:

“Jo was the first to wake in the gray dawn of Christmas morning. No stockings hung at the fireplace, and for a moment she felt as much disappointed as she did long ago… Then she remembered her mother’s promise…”

“Meg was already dressing with her usual primness… ‘Mother wants us to bring our sewing,’ said Meg, after a pause. ‘Don’t go Jo. It’s so nice to have company, and I don’t want to be cross, but I do hate to sew alone.’”

Louisa May Alcott, Little Women

When to use third-person omniscient POV:

  • You want to tell a multi-character story 
  • You want to include commentary or world-building outside of any of the characters’ experiences

Third-Person Limited vs. Omniscient: Key Differences

Third-person limited and omniscient are similar in many ways. For starters, both use pronouns like he, she, and they. Regardless of how they refer to the characters, they offer different experiences to the readers.

Limited:

  • Usually, only follow the protagonist
  • Reveals only what the protagonist knows, sees, thinks, or feels
  • Keeps some mystery and tension by hiding what other characters are thinking
  • Creates an intimate connection with the protagonist

Omniscient:

  • Allows access to all characters’ thoughts and emotions
  • Provides a broad overview of the world and events
  • The narrator can provide commentary or historical context
  • Can easily move between different places and parts of the story to show everything that is happening

Third-person limited primarily focuses on one character each chapter. This technique offers readers an opportunity to learn more about the protagonist firsthand. Allowing readers to only follow one character at a time helps the readers build a strong connection to that character. It is also an advantage for writers who want to withhold information from the protagonist and the readers. However, this limited access can also be a drawback. You may not be able to show events outside the character’s awareness unless you shift POV between chapters. 

If you are looking for a way to show more of the world from outside your protagonist’s perspective, then a third-person omniscient narrative would be a better choice. Third-person omniscient provides a broader view of the world. The narrator can go into the mind of multiple characters. In addition to that, an omniscient narrator can offer commentary and context. It is also useful if you have a large set of characters and a complex world. Third-person omniscient would allow you to include more information from different sources within a chapter. The downside is that it can be hard to manage, especially for beginners. Without a consistent narrative character, it can easily confuse the readers about whose mind they are inside. This is why it is important to create a strong character voice to prevent confusion.

Take in the pros and the cons of third-person limited and omniscient. Both POVs have their advantages and disadvantages.

FAQ

Can I switch POVs in the same story?

Yes, but do it with caution. If you are writing in first-person and suddenly change it to third-person omniscient, it can cause misunderstandings. Generally speaking, stick to one POV in each book. Regardless, there is always an exception. It is up to the author how they want to write their book.

Is one POV better than the others?

No, each POV has its strengths and weaknesses. Select a point of view (POV) that complements your story and serves your narrative goals. If you are unsure, try experimenting. Write a chapter or two in different POVs and see which one feels most effective.

Can I use multiple first-person narrators?

You can, although it is recommended to shift narrators between chapters or a clear section break. This helps prevent disorientation. 

Final Thoughts on Mastering Point of View

Mastering POV is a necessary part of writing. POV is used in writing novels, newspapers, or even recipes. POV shapes how the readers experience the story. Therefore, choose one that complements your style. 

No POV is better than others, only one that is right for you. The right narrator voice can elevate the quality of your story. Take time to experiment and practice.